Sanaa Tendaji Art Collections
Shop for artwork from Sanaa Tendaji based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by Sanaa Tendaji
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Rain approaches on the Singapore skyline by Sanaa Tendaji
A big chair does not make a big boss by Sanaa Tendaji
Self-Portrait in Bronze in Studio 2009 by Sanaa Tendaji
Self-Portrait in Bronze 2009 on Blue by Sanaa Tendaji
Uncle contemplates his next move by Sanaa Tendaji
Lost in thought by Sanaa Tendaji
Cast In Character 2013 - Side View Transparent by Sanaa Tendaji
Light on Slow Life - Xuili Awaits Morning #1 by Sanaa Tendaji
Gardens by the Bay by Sanaa Tendaji
Self-Portrait in Bronze 2009 - Transparent by Sanaa Tendaji
Self-Portrait in Bronze 2009 - Transparent by Sanaa Tendaji
Look for who remains placid to find who holds power by Sanaa Tendaji
Sticks in a bundle are unbreakable by Sanaa Tendaji
Seda Kala by Sanaa Tendaji
Osemba by Sanaa Tendaji
The cattle come home - Life among the Mbunza series by Sanaa Tendaji
Singapore chili crab by Sanaa Tendaji
Marina Bay cityscape at night by Sanaa Tendaji
Ankole Cattle Come Home by Sanaa Tendaji
Chibi Wolfboy - Transparent by Sanaa Tendaji
Happiness - Transparent by Sanaa Tendaji
More Than Skin Deep 2008 - Gold and Red Glass Transparent by Sanaa Tendaji
More Than Skin Deep 2008 - Gold and Red Glass on Blue by Sanaa Tendaji
More Than Skin Deep 2008 - Gold and Red Glass on White by Sanaa Tendaji
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About Sanaa Tendaji
Sanaa Tendaji is my nom de pinceau or nom d’artiste. Historically, adoption of a nom de pinceau has been common practice among artists of the Far East. The artist’s name is not fixed but is fluid, changing with the development of the artist’s career and style of expression. Changes in a name can mark important life events or metamorphoses in the style and mood of the art produced. I find this a refreshing perspective. It is a counterpoint to the Western tradition in which collectors and art lovers sometimes purchase art as an investment based on the name of the artist. Emphasis on the name of the artist depersonalises interaction with art as we are pressured by the weight of reputation carried by the name. Appreciation of what is good in art becomes a social construct enforced by external approval of the artist’s name. In contrast, the use of a changeable nom de pinceau turns the spotlight on the quality and impact of the work itself. Interaction with the art becomes more personal. We are freed from the baggage of the artist’s name to let the work speak directly to us.
I was born in Tanzania and currently live in Singapore. I have always had a passion for art. In my travels across Africa and Asia, I have collected numerous pieces that have deeply moved me. I have continued to follow the development of many of the artists whom I have known.
This artifact is a project exploring cultural identity in African and Asian art. I present a curated selection of my collection representing works of contemporary artists from Africa and Asia. My dream is that these works will move you and speak to you as they do to me.
The galleries are currently under construction. Please, bear with me, and the first works will be up within a few weeks.